Memories

During a life drawing session, a young man is asked to wear a replica of a back-breaking stone carrier used in a Nazi concentration camp. The wearing of this contraption arouses unexpected and heightened emotions in both him and the artist.

The older man is forced to realise that the young man is himself, ultimately reconfigured and caught in a parallel world of seven-year cycles. Resolution is achieved as the young man ceases to haunt the other and the elder finds the ultimate completion of his life by painting his last portrait as death draws ever closer.